Pretendemos, aqui, nos debruçar sobre a animação Valente (Brave, 2012). Todavia, atentando para as demandas de uma sociedade que rediscute questões relativas à construção do gênero, novas representações de princesas surgem nessas animações.
A partir desse momento, foi criada uma imagem romantizada de princesa, a qual prevê a espera pelo príncipe encantado. Resumo: Em 1937, os Estúdios Disney lançam seu primeiro longa-metragem de animação – Branca de Neve e os Sete Anões. I conclude by problematizing the often conventional expressions of lesbian girlhood in femslash, ultimately arguing for their empowering potential, especially as they indicate revised definitions of “princess.” The last section shows how Meripunzel femslash taps into the films' existing melodramatic narrative forms and visual aesthetics, rehearsing their coming-out rhetoric while addressing the pleasures of and problems facing lesbian teen romance. This generic association reveals the films' uses of rhetoric familiar to youth coming-out narratives, as well as other visual and aural coding suggestive of queer styles. The next section shows how Tangled and Brave invoke the narrative conventions of the family melodrama.
First, Anne Sexton's poem, “Rapunzel,” offers a literary precedent for exploring lesbian themes in the fairy tale. This article explores the melodramatic expression of lesbian girlhood and teen romance in Disney's Tangled (2010) and Disney Pixar's Brave (2012), as well as “Meripunzel” femslash, fan-authored romantic pairings of the animations' female protagonists. Then, focus will be shifted on vital part of this paper, namely postmodern elements and it's representation through the so called superior white race. The first two paragraphs of this paper will deal with a brief historical background of Disney Pictures and precise story of the Brave. Side by side the chance has taken to discuss how the movie is different from stereotype modernistic animated movie. The aim of this paper is to explore the postmodern facets of the movie. Moreover, it depicts several stereotype hallmarks of the white race. It is a postmodern movie in its style and protagonist's atypical characterization thereby a shift from the traditional paradigm. The movie Brave is an American animated fantasy film, directed by Mark Andrews and Brenda Chapman, produced by Pixar Animation studios and released by Walt Disney Pictures in 2014. There are various genres of movie like comic movie, action movie, sci-fi movie, thriller movie, animated movie etc. Features of Postmodernism in the Movie Brave Movie is a pivotal part of visual media and one of the greatest sources of entertainment that represents society and its individual within a certain time frame.
0 kommentar(er)
